Curtis on Tour
Wednesday, February 27, 2019, 7:30PM
Walter S. Gubelmann Auditorium

Enjoy a night of music performed by rising stars from one of the finest music conservatories in the world. Today’s most promising young voices resonate in opera on the edge with an imaginative program. Come hear the nation’s finest at their best during an evening that spans from opera to the Great American Songbook.

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music.

Curtis on Tour

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music

Personnel

Sage DeAgro-Ruopp, soprano
Anastasiia Sidorova, mezzo-soprano
Dominic Armstrong (‘09), tenor
Patrick Wilhelm, baritone
Miloš Repický, piano
Mikael Eliasen, piano

 

PROGRAM

subject to change

Seguidilla: “Près des ramparts de Séville,” from Carmen        Georges Bizet (1838–1875)

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

 

“La fleur que tu m’avais jetée” (“Flower Song”), from Carmen          

Dominic Armstrong, tenor

***

“Sous le dôme épais” (“Flower Duet”), from Lakmé    Léo Delibes  (1836–1891)

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

***

“Pronta io son,” from Don Pasquale    Gaetano Donizetti  (1797–1848)

Sage DeAgro-Ruopp, soprano

Patrick Wilhelm, baritone

***

“Nacqui all’affanno, al pianto,” from La Cenerentola   Gioacchino Rossini    (1792–1868)

Anastasiia Sidorova, mezzo-soprano

 

“Ah! qual colpo inaspettato,” from Il barbiere di Siviglia

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

***

“Mein Sehnen, mein Wähnen (Pierrot’s Tanzlied),” from Die Tote Stadt Erich Wolfgang Korngold     (1897–1957)

Patrick Wilhelm, baritone

“E lucevan le stelle,” from Tosca  Giacomo Puccini  (1858–1924)

Dominic Armstrong, tenor

“Au fond du temple saint,” from Les Pêcheurs de perles  Georges Bizet  (1838–1875)

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

***

“Caro nome,” from Rigoletto    Giuseppe Verdi  (1813–1901)

Sage DeAgro-Ruopp, soprano

 

“Bella figlia dell’amore,” from Rigoletto

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

INTERMISSION

Overture to L’Italiana in Algeri  Gioacchino Rossini (1792–1868)

Miloš Repický, piano

Mikael Eliasen, piano

***

Liebeslieder Walzer, Op. 52

Am Gesteine rauscht die Flut

O die Frauen

Wie des Abends schöne Röte

Die grüne Hopfenranke

Ein kleiner, hübscher Vogel

Wohl schön bewandt

Wenn so lind dein Auge mir

Am Donaustrande

O wie sanft die Quelle sich

Nein, es ist nicht auszukommen

Schlosser auf!

Vögelein durchrauscht die Luft

Sieh’, wie ist die Welle klar

Nachtigall, sie singt so schön

Ein dunkeler Schacht ist Liebe

Nicht wandle, mein Licht

Es bebet das Gesträuche

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

Miloš Repický, piano

Mikael Eliasen, piano

Curtis on Tour

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music

Personnel

Sage DeAgro-Ruopp, soprano
Anastasiia Sidorova, mezzo-soprano
Dominic Armstrong (‘09), tenor
Patrick Wilhelm, baritone
Mikael Eliasen, piano
Miloš Repický, piano

ABOUT CURTIS

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average, and a tuition-free policy ensures that talent and artistic promise are the only considerations for admission.

With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by a “learn by doing” philosophy and personalized attention from a faculty that includes a high proportion of actively performing musicians.

Curtis students hone their craft through than 200 orchestra, opera, and solo and chamber music offerings each year and programs that bring arts access and education to the community. This real-world training allows these extraordinary young musicians to join the front rank of performers, composers, conductors, and musical leaders, making a profound impact on music onstage and in their communities. To learn more, visit Curtis.edu.

ABOUT CURTIS ON TOUR

Curtis on Tour is the Nina von Maltzahn global touring initiative of the Curtis Institute of Music. Grounded in the school’s “learn by doing” philosophy, it offers students real-world, professional touring experience alongside celebrated alumni and faculty. In addition to performing, musicians offer master classes, interactive programs, and community engagement activities. Curtis on Tour also facilitates solo performances of Curtis students and alumni with professional orchestras and recital series. Since the program was established in 2008, students, faculty, and alumni have performed more than 300 concerts in over 90 cities in Europe, Asia, and the Americas.

Event Info

Enjoy a night of music performed by rising stars from one of the finest music conservatories in the world. Today’s most promising young voices resonate in opera on the edge with an imaginative program. Come hear the nation’s finest at their best during an evening that spans from opera to the Great American Songbook.

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music.

Program Notes

Curtis on Tour

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music

Personnel

Sage DeAgro-Ruopp, soprano
Anastasiia Sidorova, mezzo-soprano
Dominic Armstrong (‘09), tenor
Patrick Wilhelm, baritone
Miloš Repický, piano
Mikael Eliasen, piano

 

PROGRAM

subject to change

Seguidilla: “Près des ramparts de Séville,” from Carmen        Georges Bizet (1838–1875)

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

 

“La fleur que tu m’avais jetée” (“Flower Song”), from Carmen          

Dominic Armstrong, tenor

***

“Sous le dôme épais” (“Flower Duet”), from Lakmé    Léo Delibes  (1836–1891)

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

***

“Pronta io son,” from Don Pasquale    Gaetano Donizetti  (1797–1848)

Sage DeAgro-Ruopp, soprano

Patrick Wilhelm, baritone

***

“Nacqui all’affanno, al pianto,” from La Cenerentola   Gioacchino Rossini    (1792–1868)

Anastasiia Sidorova, mezzo-soprano

 

“Ah! qual colpo inaspettato,” from Il barbiere di Siviglia

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

***

“Mein Sehnen, mein Wähnen (Pierrot’s Tanzlied),” from Die Tote Stadt Erich Wolfgang Korngold     (1897–1957)

Patrick Wilhelm, baritone

“E lucevan le stelle,” from Tosca  Giacomo Puccini  (1858–1924)

Dominic Armstrong, tenor

“Au fond du temple saint,” from Les Pêcheurs de perles  Georges Bizet  (1838–1875)

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

***

“Caro nome,” from Rigoletto    Giuseppe Verdi  (1813–1901)

Sage DeAgro-Ruopp, soprano

 

“Bella figlia dell’amore,” from Rigoletto

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

INTERMISSION

Overture to L’Italiana in Algeri  Gioacchino Rossini (1792–1868)

Miloš Repický, piano

Mikael Eliasen, piano

***

Liebeslieder Walzer, Op. 52

Am Gesteine rauscht die Flut

O die Frauen

Wie des Abends schöne Röte

Die grüne Hopfenranke

Ein kleiner, hübscher Vogel

Wohl schön bewandt

Wenn so lind dein Auge mir

Am Donaustrande

O wie sanft die Quelle sich

Nein, es ist nicht auszukommen

Schlosser auf!

Vögelein durchrauscht die Luft

Sieh’, wie ist die Welle klar

Nachtigall, sie singt so schön

Ein dunkeler Schacht ist Liebe

Nicht wandle, mein Licht

Es bebet das Gesträuche

Sage DeAgro-Ruopp, soprano

Anastasiia Sidorova, mezzo-soprano

Dominic Armstrong, tenor

Patrick Wilhelm, baritone

Miloš Repický, piano

Mikael Eliasen, piano

Watch
More About The Artist

Curtis on Tour

The Nina von Maltzahn Global Touring Initiative of the Curtis Institute of Music

Personnel

Sage DeAgro-Ruopp, soprano
Anastasiia Sidorova, mezzo-soprano
Dominic Armstrong (‘09), tenor
Patrick Wilhelm, baritone
Mikael Eliasen, piano
Miloš Repický, piano

ABOUT CURTIS

The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average, and a tuition-free policy ensures that talent and artistic promise are the only considerations for admission.

With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by a “learn by doing” philosophy and personalized attention from a faculty that includes a high proportion of actively performing musicians.

Curtis students hone their craft through than 200 orchestra, opera, and solo and chamber music offerings each year and programs that bring arts access and education to the community. This real-world training allows these extraordinary young musicians to join the front rank of performers, composers, conductors, and musical leaders, making a profound impact on music onstage and in their communities. To learn more, visit Curtis.edu.

ABOUT CURTIS ON TOUR

Curtis on Tour is the Nina von Maltzahn global touring initiative of the Curtis Institute of Music. Grounded in the school’s “learn by doing” philosophy, it offers students real-world, professional touring experience alongside celebrated alumni and faculty. In addition to performing, musicians offer master classes, interactive programs, and community engagement activities. Curtis on Tour also facilitates solo performances of Curtis students and alumni with professional orchestras and recital series. Since the program was established in 2008, students, faculty, and alumni have performed more than 300 concerts in over 90 cities in Europe, Asia, and the Americas.

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